06 March, 1944

V-MAIL

438^th AAA AW BN

APO 527 % Postmaster, N.Y.

England

6 March, 1944

Dear Sweetheart,

There’s nothing much to write you about my leave, dear. It’s fast disappearing, but I don’t mind too much. You know – there’s something nice about Camp – 3 meals a day, warm quarters, field clothes, etc. I wonder if I’ll mind being dressed up all the time after the war.

Yesterday, darling, after lunch I went down to the place where the London Symphony plays its Sunday concerts – and damned if I didn’t get in. I was really surprised. The concert was excellent – but the inevitable tea was served during the intermission. These English are really whacky when it comes to tea.

In the evening I went to eat at the Trocadero – which has as good food as can be attained. The best I could do was roast pigeon. It wasn’t too bad. Today I’m going to the Wax Museum and I’m also going to try to get to see “This Time, It’s Here” (good title, huh!) – a comedy that is advertised as having played in Paris and N.Y. I don’t remember it – but it might be worth it. That’s all for now, sweetheart, except to say that I love you and have been very lonesome for you on this leave.

All my love,

Greg

* TIDBIT *

about Royal Albert Hall

CLICK ON IMAGES TO ENLARGE

Royal Albert Hall, London

When Greg went to see the London Symphony Orchestra, they were performing at the Royal Albert Hall. From Wikipedia:

The Hall was originally supposed to have been called The Central Hall of Arts and Sciences, but the name was changed by Queen Victoria to Royal Albert Hall of Arts and Sciences when laying the foundation stone, as a dedication to her deceased husband and consort. The Royal Albert Hall is one of the UK's most treasured and distinctive buildings, recognizable the world over.

The Hall was designed by civil engineers Captain Francis Fowke and Major-General Henry Y.D. Scott of the and built by Lucas Brothers. The designers were heavily influenced by ancient amphitheaters, but had also been exposed to the ideas of Gottfried Semper while he was working at the South Kensington Museum.

Royal Albert Hall under construction in 1868

The dome on top was made of wrought iron and glazed. There was a trial assembly made of the iron framework of the dome in Manchester, then it was taken apart again and transported down to London via horse and cart. When the time came for the supporting structure to be removed from the dome after re-assembly in situ, only volunteers remained on site in case the structure dropped. It did drop - but only by five-eighths of an inch.

The official opening ceremony of the Royal Albert Hall was on 29 March 1871. After a welcoming speech by Edward, the Prince of Wales, Queen Victoria was too overcome to speak, so the Prince had to announce that "The Queen declares this Hall is now open". A concert followed, when the Hall's acoustic problems became immediately apparent. These were not properly tackled until 1969 when a series of large fiberglass acoustic diffusing discs (commonly referred to as "mushrooms" or "flying saucers") were installed in the roof to cut down the notorious echo. It used to be said that the hall was the only place where a British composer could be sure of hearing his work twice.

The hall is an ellipse in plan, with major and minor axes of 272 feet (83m) and 238 feet (72m). The great glass and wrought-iron dome roofing the hall is 135 feet (41m) high. It was originally designed with a capacity for 8,000 people and has accommodated as many as 9,000. Modern safety restrictions mean that the maximum permitted capacity is now 5,544 including standing in the Gallery).

Inside Royal Albert Hall

Around the outside of the hall is a great mosaic frieze, depicting "The Triumph of Arts and Sciences", in reference to the Hall's dedication. Proceeding counter-clockwise from the north side the sixteen subjects of the frieze are: (1) Various Countries of the World bringing in their Offerings to the Exhibition of 1851; (2) Music; (3) Sculpture; (4) Painting; (5) Princes, Art Patrons and Artists; (6) Workers in Stone; (7) Workers in Wood and Brick; (8) Architecture; (9) The Infancy of the Arts and Sciences; (10) Agriculture; (11) Horticulture and Land Surveying; (12) Astronomy and Navigation; (13) A Group of Philosophers, Sages and Students; (14) Engineering; (15) The Mechanical Powers; and (16) Pottery and Glassmaking.

Frieze around Royal Albert Hall

Above the frieze is an inscription in one-foot high terracotta letters. This combines historical fact and Biblical quotations:

This hall was erected for the advancement of the arts and sciences and works of industry of all nations in fulfillment of the intention of Albert Prince Consort. The site was purchased with the proceeds of the Great Exhibition of the year MDCCCLI. The first stone of the Hall was laid by Her Majesty Queen Victoria on the twentieth day of May MDCCCLXVII and it was opened by Her Majesty the Twenty Ninth of March in the year MDCCCLXXI. "Thine O Lord is the greatness and the power and the glory and the victory and the majesty. For all that is in the heaven and in the earth is Thine. The wise and their works are in the hand of God. Glory be to God on high and on earth peace."

From the Royal Albert Hall's website came this:

The list of famous performers and world figures who have appeared at the Royal Albert Hall since it opened in 1871 is unrivalled. Wagner, Verdi and Elgar conducted the first UK performance of their own works on its concert platform, Rachmaninov played his own compositions and nearly every major classical solo artist and leading orchestra has performed at the Hall.

The list of popular music artists includes Frank Sinatra, Liza Minnelli, Jimi Hendrix, The Beatles, Oscar Peterson, The Who, Led Zeppelin, Eric Clapton, Sting and Elton John and from a younger generation Jay Z, Kaiser Chiefs and the Killers.

Among leading world figures who have spoken at the Hall are Her Majesty The Queen, Sir Winston Churchill, Nelson Mandela, His Holiness The Dalai Lama and former President of the United States of America, Bill Clinton.

Each year Royal Albert Hall hosts more than 350 performances including classical concerts, rock and pop, ballet and opera, tennis, award ceremonies, school and community events, charity performances and lavish banquets.

Click here for a virtual tour of Royal Albert Hall.

05 March, 1944

438^th AAA AW BN

APO 527 % Postmaster, N.Y.

England

5 March, 1944        1045

Sunday morning

Wilma – darling –

Good morning! And how are you dear? The medium of even letter communication is wonderful – for not having read a letter from you for some time now makes me realize how much they help to keep us in close contact.

My leave is now more than half gone and I haven’t really done a thing – except to get hungry, I guess. You just can’t get anything to eat in a restaurant – no matter how good or bad. They call their food by fancy names, but it doesn’t help the quality or quantity. Incidentally – practically every menu is in French and before long I may get to know something about them. Another thing about English restaurants and hotels – the waiters are always dressed full-dress, no matter how small or unpretentious the place. It’s almost ridiculous to walk into a small, sometimes shabby eating place and have the waiter appear with white-tie and tails.

Yesterday, Sweetheart, I didn’t do very much except wander around some more. One thing struck me as I window-shopped and walked through the department stores – and that was the price of women’s clothes. Hats range from three guineas upwards. (A guinea is $4.25) What looks like a simple little frock made out of some kind of wool crepe, I presume, sells for 20 guineas; but sweaters that go with a skirt sell for 2 and 3 guineas. I don’t know how women can buy any clothes at such prices and I can understand now why so many of them are dressed so shabbily.

As I started to say, dear, I got up late yesterday and decided to hunt up a Chinese restaurant – just so my stomach would seem full – even for 2 hours. I finally did eat at one and then went down to Piccadilly to look around. I noticed one theater was showing Luise Rainer in ‘Hostages’ which must have played in the States some time ago – but I decided to see it anyway. It wasn’t too good, I thought. The suspense was well created in a couple of scenes – but there wasn’t much room for dramatic presentation – which is what I expected from Rainer. She looked terrible in it – as a matter of fact.

When I got out – I sought out the Army Post Office so that I could mail the letter I had written you earlier. In the evening I looked for a decent place to eat and found a Russian restaurant with excellent food. It tasted more nearly like home cooking than anything I’ve had since I left home. I then came back here and after having a couple of rums – went to bed.

Today I haven’t the vaguest idea of what I shall do – but it really doesn’t make much difference, darling. I’m only marking time. The last time I heard from you, dear, was your V -letter of February 14th. You mentioned my folks – and your folks – and visits etc. – and you can well imagine, sweetheart, how much I’ve been thinking about all that and wondering how everything is working out. I shan’t rest peaceful, dear, until I can really call you my fiancée and I’m just waiting until I hear from you – the go ahead signal.

Meanwhile, darling, I’m sitting tight but my love isn’t; it just keeps on growing and growing and I can’t and don’t want to do anything about it. It’s a wonderful feeling which I know you share, too.

I’ll stop for now, dear, and I’ll write again. I hope all is well with you and your folks. Send them my fondest regards – and for now – so long and

All my love

Greg

* TIDBIT *
about Luise Rainer

CLICK ON PICTURE TO ENLARGE

Oscar Homolka, Luise Rainer and Arturo de Cordova
in a publicity still for Hostages (1943)

From the Alt Film Guide Blog comes this:

Because of both her longevity and the fact that Turner Classic Movies now shows nearly all of her films with a certain regularity, the Dusseldorf-born (some sources say Vienna) Rainer is probably better known today than at any time since the 1940s, when she last starred in a Hollywood production, the minor Paramount resistance drama Hostages(1943).

Before this current revival, Rainer was best remembered as the two-time Oscar winner with a four-year film career (1935-1938), while her acting was generally dismissed as several notches below sub-par. In fact, to many she served as one of the prime reminders of the unworthiness of the Academy Awards.

As the oft-told story goes, when Raymond Chandler got himself all worked up about his Oscar prospects in the mid-'40s, his wife told him not to take those things so seriously: "After all, Luise Rainer won it twice."

04 March, 1944

V-MAIL

438^th AAA AW BN

APO 527 % Postmaster, N.Y.

England

4 March, 1944

Hello darling! –

Excuse the V-mail dear, but I really haven’t taken advantage of it very often, have I? It’s Saturday noon here – my leave is about half over and I haven’t done a darn thing except wander around from restaurant to restaurant – it seems. This p.m. I’m going down to the theater where the Lunts are playing “There Shall Be No Night” – just on the chance I might be able to pick up a ticket. If not – I’ll go down to Mme. Toussard’s Wax Museum – because as yet I haven’t done that.

Gosh, darling – I’m so lonesome for you and it makes me mad to think that when I was home – the longest I ever had to spend with you was a week-end, and here I’m just killing time. It doesn’t make sense – that’s all.

I’ll stop now, Sweetheart and run along because if you don’t get to an eating place just about at noon – you find yourself at the end of the queue and when you finally get in – they’re out of food. Give me the U.S.A. – darling – and you. So long for now – dear, – my thoughts are with you always and you have

All my love –

Greg

Regards.

03 March, 1944

438^th AAA AW BN

APO 527 % Postmaster, N.Y.

England

03 March, 1944        1500

Dearest Sweetheart,

It seems like ages since I wrote you last and yet I’ve only missed the past two days. I tried to write yesterday – but I guess I spent most of the day traveling. I am now sitting in my hotel room – using the same old G.I. stationery which I brought along. Hotels in England don’t supply you with writing paper.

Well, darling – I’m on my leave. How much of it I can tell you about while I’m on it – I really don’t know. There’s so many damn angles to censorship – that I think the censors themselves don’t know. At any rate, dear, I left camp Wednesday a.m. and traveled most of the day to get to my destination. I was disappointed when I arrived. In the first place it was very cold and a steady wind blew in from the Atlantic. The place was nothing more than Revere Beach, Mass. might be at this time of year – minus all the amusements. Desolate and bleak – is the only way to describe it and how I got roped into making that trip is beyond me. However – there was no way of getting back that night – so I stayed over, in a small private hotel – cold and dreary. About the only thing I can say for that day is that I passed through most of England and hit a few spots I hadn’t been to before – e.g. Stratford-on-Avon, Rugby and a couple of other spots.

Anyway, sweetheart, yesterday I got on a train and hot-footed it back to where I can see a little activity. That again – took almost the whole day. The trains just crawl along in this country and some of them stop almost as often as our street-cars. So here I am – checked in at a hotel – I’ve stayed here before – and I’m just going to take it easy. I’m going to try my best to see a couple of plays and perhaps get into Symphony on Sunday – but so far it’s been almost impossible. Beyond that, dear, I have no plans whatsoever, and I suppose that’s the best way to spend a leave. It’s good to be away from Camp and I can understand, I think, why the Army gives leaves more frequently in this theater than at home.

That’s about all the news there is, darling. I hadn’t heard from you for a couple of days when I left camp – and I’m expecting to find a nice set of letters from you – waiting for me. I can’t help but think how nice it would be if you were here with me, dear, just as once before – But there’ll come a day, sweetheart, and that’s what I’m living for. I love you, dear, and that’s all I think about – whether I’m in camp, on the train – or just wandering around. The thought of you never leaves me – and that’s good, isn’t it?

I’ll close now, dearest, and I’ll write again. For now – so long and

All my love is yours,

Greg

Regards to everyone,

Love

G.

02 March, 1944

No letter today. Just this:

* TIDBIT *

about the Organization of a Medical Detachment

Greg was a Battalion Surgeon. Despite the name, most Battalion Surgeons were primary care physicians who practiced emergency medicine, family medicine, pediatrics, or internal medicine rather than performing invasive surgical operations. The term "surgeon" was a holdover from the U.S. Military's British colonial past. The British military used the term "surgeon" to mean a physician attached to a "front line" unit.

The Battalion Surgeon was a special staff officer who advised the Battalion Commander on matters pertaining to the health of the battalion. Chief duties included the responsibilities of managing a Battalion Aid Station, medically supervising other battalion physicians, performing sick call for members of the battalion, and supervising the medical planning for deployment. Battalion Aid Stations, Forward Support Medical Battalions and Forward Surgical Teams were usually the first point of contact for the medical care of wounded soldiers.

Battalion Aid Station in Italy, 1943

The Battalion Aid Station belonged to, and was an organic component of the unit it supported. As such, it was the forward-most medically-staffed treatment location. The primary mission of the Battalion Aid Station was to collect the sick and wounded from the battalion and stabilize the patients' condition. This work was carried out by the Company Aid Men, also called "Combat Medics."

Each Company in a heavy weapons division was assigned three Combat Medics. These men lived with the company and moved with them on every move. They were exposed to enemy fire just the same as an artillery soldier. On many occasions they were exposed to a higher degree than the artillery soldier. The responsibility of the Combat Medic was to locate wounded men, quickly assess the severity of the wound and immediately start the action necessary to relieve the wounded man of pain and suffering. In many instances the Medic had to comfort those soldiers who were more mentally wounded than physical. He and the other soldiers in the company had to work very closely together in retrieving wounded men from precarious situations and subsequent evacuation.

Once a man's wounds had been treated to the extent of the Medic's capabilities, he was removed to the Battalion Aid Station. There, the Battalion Aid Station Doctors could assess the severity of the wound and make a decision as to further evacuation. If the wound was of minor nature, many times it would be cleaned, dressed and the soldier returned to duty. The Medic would normally be aware of that, and, depending upon the tactical situation at hand, follow up with any subsequent care needed.

If the wound warranted more extensive care than that which could be administered at the Battalion Aid Station, the wounded man was tagged, a record made of the time, day, date and extent of the wound and he was evacuated by ambulance to the next echelon in the evacuation process. His company was notified of the evacuation so they could quickly get a replacement for the casualty.
Each Battalion Aid Station worked very closely with the Medical Battalion of the Division, which was responsible for evacuations to the rear of the Battalion Aid Station. Each Regimental Battalion Aid Station had a liaison man from the Medical Battalion of the Division. He kept his unit informed about tactical moves of the Battalion Aid Station and also coordinated the use of ambulances, depending upon the casualty rate the infantry Battalion was experiencing.

The Medical Battalion evacuated the more seriously wounded from a Battalion Aid Station to a Collecting Station, usually safely removed from an exposed front line position. There, further evaluation was made of the wounded man. If further treatment was called for, he was taken farther back to a Clearing Station. Within the Division area of responsibility, the Clearing Station was as far as a casualty would be evacuated. Any further evacuation then became the responsibility of an Army Hospital.

Clearing Station, Utah Beach, 6-7 June 1944
Triage of Casualties

Again, this entire process was started by frontline soldiers receiving a wound by enemy fire. A process of healing and comfort was started immediately by a well trained, unarmed and possibly exposed Combat Medic wearing a Red Cross, carrying some bandages, a syringe of morphine, some sulfanilamide powder and the desire to help a fellow human being in his time of great need.

The chart below shows the movement of wounded through the various Echelons of Evacuation as described above. As can be seen, Battalion Aid Stations provided First Echelon support. Below that is a diagram of the layout of a typical Battalion Aid Station.

CLICK ON CHARTS TO ENLARGE

Evacuation Procedure Chart


Diagram of an Aid Station

01 March, 1944

No letter on 1 March 1944... Just this from 29 February:

[Note from FOURTHCHILD: 1944 was a Leap Year, unlike 2011.]

438^th AAA AW BN

APO 527 % Postmaster, N.Y.

England

29 February, 1944        1400

Dearest Sweetheart,

Today is payday so I had to run around a bit this morning. As a result the boys are happy again. It’s funny to see them after they’ve been paid. They start to settle up their accounts with each other; one pays up ₤2, six shillings and collects 18 shillings from someone else and that’s the way it goes. More money changes hands than is passed across the counter of Barclay’s Ltd in a week.

Some of the boys have already taken off for their furlough trips. The enlisted men are getting 7 days also – and the great majority are heading for the western part of England or Scotland – since most everyone has already been to London – and London, some of these nights, isn’t too healthy a spot to be in, anyway. My own leave starts tomorrow, dear, and I’m kind of blue about it. If only I could be with you instead of tramping around the countryside. Well, I always wanted to see England – and I’m getting the chance to. I’ve missed you particularly the past few days, sweetheart – no special reason – just a spell – as you no doubt have had too. Maybe it’s the thought of our being engaged – and my impatience at the time involved. I’m so anxious to hear a reply to my letters of several days ago.

Sunday night and last night I went to the movies. Due to the splendid effort of the Special Service Division – which has a very important job in overseas stations – we have our own projector and can show films in our battalion area. Most of the shows are quite old – but no one seems to mind. Sunday we saw “Petrified Forest” – with Leslie Howard, B. Davis and H. Bogart – the latter in his first “bad-man” role – remember, dear? Last nite we saw “Mr. Smith goes to Wash.” – another oldie, but good – and really although I had seem them both, I actually enjoyed them. Anyway – in each case – they had killed 2 hours – and I didn’t have to travel more than 75 yards to get to see them.

Tomorrow, darling, I won’t be able to write – but if it’s at all feasible, I’ll try to write you from wherever I am. I wouldn’t want you to find a big gap in your mail. However – if there are some spaces, dear, you’ll understand – won’t you?

In the past 3 days I’ve received only one letter from you, dear, and that was a V-mail written Valentine’s Day from Bea’s house. Darling I’m so glad you got the roses and I do hope they were nice. You buy a cat-in-a-bag when you order by mail – and that was the only way. I was curious as to how it would wash out. I sent Penn a check, as I did with Fannie Farmer and wondered what they’d do about it. I explained what I wanted. I was half tempted to send Stan the check and let him handle it for me. As things developed, I’m rather glad I didn’t. Anyway – if it made you the least bit happier, Sweetheart – I’m glad. I just didn’t want you to be forgotten just because I happen to be away.

Well, darling, I’ll say ‘so long’ for now. I’ll probably not write long letters for the next several days but I’ll make up for it, I know. I wish only that you could be with me the next few days – then things would really be all right. I have so many nice things to tell you, darling, – but it will have to wait until I can tell you I person – alone. Until later, dear, you have –

All my love,

Greg

* TIDBIT *

about The Petrified Forest

The Petrified Forest (1936) was directed by Archie Mayo. Here is a summary of the story, as it appears in Wikipedia.

Alan Squier (Howard), once a British intellectual and writer, now a penniless alcoholic drifter, wanders into a roadside diner in the Petrified Forest area in northern Arizona. The diner is run by Jason Maple (Porter Hall), his daughter Gabrielle (Davis), and her grandfather (Charley Grapewin), "an old man who was missed by Billy the Kid."

Alan recounts his European adventures and Gabrielle is instantly smitten with him. Gabrielle's mother, a French war bride who fell in love with Jason when he was a young, handsome American serviceman, left her "dull defeated man" and moved back to France when Gabrielle was a baby. She now sends poetry to Gabrielle, who dreams of moving to Bourges to become an artist. She shows Alan her paintings - the first time she has shown them to anyone - and reads him a favorite Villon poem. Boze Hertzlinger (Dick Foran), Gabrielle's blue-collar boyfriend, grows jealous of Alan, who assures him that he intends to leave forthwith. Alan mooches a ride from wealthy tourists Mr. and Mrs. Chisholm (Paul Harvey and Genevieve Tobin), but before they can depart, Duke Mantee (Bogart), a famous gangster fleeing a massive police pursuit, invades the diner with his gang and takes the entire group hostage.

Everyone is of course terrified, except Alan, who has little to live for. Indifferent to the danger, he engages Duke in lively conversation and toasts him as "the last great apostle of rugged individualism." As the police converge on the restaurant, Duke prepares to flee, announcing that he will bring Mr. and Mrs. Chisholm with him as human shields. Alan has an inspiration: With Gabrielle in another room, he produces a life insurance policy he is carrying with him, and amends it, making Gabrielle the beneficiary. Then he asks Duke to kill him, so that Gabrielle can use the insurance money to make her dream of studying art in France a reality. "It couldn't make any difference to you, Duke. After all, if they catch you, they can hang you only once...Living, I'm worth nothing to her; dead, I can buy her the tallest cathedrals, and golden vineyards, and dancing in the streets."

The police close in; Duke obliges Alan by shooting him. "So long, pal," growls Duke, "I'll be seein' ya soon." He exits, only to be gunned down himself by the waiting posse. Alan dies in Gabrielle's arms, secure in the knowledge that she, alone among the film's principals, will escape her dead-end existence to pursue her dreams.

28 February, 1944

438^th AAA AW BN

APO 527 % Postmaster, N.Y.

England

28 February, 1944       0900

Dearest darling Wilma –

Today is a nice fresh day for the start of another week. No matter how you look at it – it’s that much closer to my seeing you again. Yesterday was a typically quiet Sunday, with chicken for dinner and reading and napping afterward. More than that – I was even able to listen to an old Jack Benny program at 1900 – but that made me feel quite lonesome so I didn’t enjoy it too much. Later in the evening I read February 7th edition of Time Magazine which came in the mail yesterday.

Oh – one thing I did hear on this radio that interested me – was that new song you mentioned. Saturday afternoon, B.B.C. had a direct hook-up with NBC in New York – and I’ll be darned if they didn’t play and sing that ditty about “Mares eat oats, does eat oats” etc. and then when Time had a write-up on the song, I really felt up to date.

In the next couple of days, darling, I may be going on leave. The orders aren’t out yet – but I asked for March 2nd – 8th, which actually allows me to take off sometime on March 1st. I’ll tell you where I intend going; I believe that’s allowed. I don’t believe once I get there that I can tell you. That’s a funny thing about censorship in the Army, dear. From various fellows I’ve spoken with – there are 2 or 3 popular places that Americans have been visiting on their leaves – one is Edinburgh, another a place called Blackpool – north of Liverpool – and on the coast – but West coast; another is Bournemouth – on the South coast. I’m not considering the latter, for obvious reasons. What I believe I’ll do is pack my bag and head for Blackpool and see what it’s like. If I like it, I’ll stay; if not I’ll head for Edinburgh. But at any rate, I’ll be under no obligations to anyone – so I’ll just wander along and see the sights. It will probably be expensive – but what the heck, darling, during some part of this war I’m sure I won’t be able to spend any money, so I might as well now. The point is – that I’m not particularly in need of a Leave – but if I don’t take it, I merely lose it. That’s why everyone is taking his in turn.

Anyway – I’ll keep in touch with you from wherever I go – probably by V-mail – and assuming there’s an Army post office around. After I return – I’ll be able to tell you exactly where I was.

Darling – the new moon was beautiful and clear last night. It made me think of other moonlit nights – when we were together. There were no bright stars near it – as there were the night you wrote about recently. And no stars near it – either – that could be potential planets. Darling – all you had to say was that a planet named so and so was near the moon – and I wouldn’t have even known the difference – but would have thought “How clever!” You really missed the boat. On the other hand – I’d rather have you honest –

I haven’t heard from Stan in several weeks now – which is unusual for him. I wonder why? He always used to keep me posted on what he was doing – in his work, and in his social life. Somehow, dear, when he does write, I don’t think I’ll be able to believe him – anyway.

Well – Sweetheart – you noticed perhaps that I started writing rather early today. It was because the opportunity presented itself. The boys are starting to come in now for sick call – so I’m going to stop. I hope to hear from you today, darling. I didn’t hear yesterday, and for me too – it makes it a very empty day when I don’t. I’d love so much to be able to talk with you for just a few moments, or to hold your hand. It would help the next months be more tolerable. But I’m depending on your letters dearest, to do that for me – and so far they have. I love you, dear and I love to hear from you. I’m waiting anxiously to hear of recent developments. Maybe we’ll actually be engaged before long. Boy – won’t that be something! Hold on, Sister! So long for now darling and

All my love

Greg

Best regards home

Love

G.

* TIDBIT *

about The Hollywood Canteen and
The Jack Benny Show aired
27 February, 1944

CLICK ON IMAGE TO ENLARGE

From the Dear Old Hollywood Blog by Robby Cress comes this information:

The Hollywood Canteen, created by film actors Bette Davis and John Garfield, along with MCA president Jules Stein, was a place where the Hollywood stars fed and entertained United States servicemen, as well as servicemen from allied countries, during World War II. From 1942 until Thanksgiving 1945, servicemen who ventured into Hollywood for a night out could gain access to the Canteen if they were in uniform. Everything was free of charge.

The Andrew Sisters, Jimmy Durante, James Cagney, Betty Hutton, Danny Kaye, Shirley Temple, Ruby Keeler, Ronald Reagan, Dorothy Lamour, Dana Andrews, you name it - if you were a big Hollywood star you volunteered at the Hollywood Canteen. Some served food, others sang and danced, the comedians cracked jokes - the actresses even danced with the servicemen. The one millionth guest to visit the Hollywood Canteen was lucky enough to receive a kiss from Betty Grable! On one night, at the nearby corner of Sunset and Wilcox, a tent was set up where Orson Welles performed magic tricks. One of the tricks was sawing his wife Rita Hayworth in half!

CLICK ON IMAGES TO ENLARGE

Marlene Dietrich and Rita Hayworth Serve Coffee

But it wasn't just the stars that volunteered at the Hollywood Canteen. Producers, writers, technicians, costumers, agents, assistants, publicists and many others who worked in Hollywood volunteered as well. Even the murals painted inside the Canteen were the volunteered work of some of Hollywood's cartoonists.

Cary Grant

And now for a bit of entertainment...



The Jack Benny Show as Greg heard it.